92 Royalty-Free Audio Tracks for "Line Noise"

I sat up my two cm3-microphones at my porch for recording nature-sounds during 3 hours. Then i went into the house for doing other things. When i was finished i listen thru the recording, than i realised there was a couple gunshot at the recording. I'll publishing the best shot. Have`nt noise-reduced because i`m not wish to destroy the ambience. Equipment usedrecorder zoom h4n promicrophones two cm3 line audiotriton audio fethead (phantom thru)wavelab.

The crackling of a high-voltage ac line, recorded from the foot of a transmission tower. A few birds and dogs can be heard in the background. Recorded by me on a tascam dr-05, 16bits, 44. 1khz.

Self-noise test of line-level input of tascam dr-70d, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with sony m10 and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Self-noise test of line-level input of sony m10, via rode nt1a and sound devices mixpre-d, of watch ticking. Designed as comparison with tascam dr-70d and direct digital output (see separate files). Beware of loud 0db test tone at the beginning: turn volume down.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and moved around near the computer and printer. You can hear the base computer noise, then at 00:17 you start to hear the radio get closer to the printer which is off but plugged in.

Recorded with iphone while waiting in line at a notary's office in rio de janeiro brasil. Some very loud dot matrix printers, some stamps and a talking (portuguese) background. You can't really get what is said or even the language.

Tc-electronic novasystem hiss. This is awesome device, but at one moment it was started produce this hiss. First part is line input and second part is guitar (tc it's call "drive") input. In the each part i switch on for a few seconds "mod" pedal on the processor.

Sci-fi communications 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi buzz and bleeprecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communications 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communicationsrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi mechanical atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarmrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

I heard and saw cranes at målsjön in kristdala,sweden,it`s a bird-lake. I did some recordings in 2nd of april. Equipment usedrecorder zoom f4microphones two cm3 from line audioand windshields from rycote.

I heard and saw cranes at målsjön in kristdala,sweden,it`s a bird-lake. I did some recordings in 2nd of april. Equipment usedrecorder zoom f4microphones two cm3 from line audioand windshields from rycote.

I heard and saw cranes at målsjön in kristdala,sweden,it`s a bird-lake. I did some recordings in 2nd of april. Equipment usedrecorder zoom f4microphones two cm3 from line audioand windshields from rycote.

I heard and saw cranes at målsjön in kristdala,sweden,it`s a bird-lake. I did some recordings in 2nd of april. Equipment usedrecorder zoom f4microphones two cm3 from line audioand windshields from rycote.

Realised to my dismay that this sound was not available. A card tapping and scraping on a ceramic plate. Designed to imitate the noise of cocaine being cut up. Recorded on a tascam dr-40 in a 4m square kitchen. Tea towel was placed under the plate to cut out an excessive noise from the plate itself. Recorded with a low frequency cut off at 80hz.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and placed near the computer. You can hear the cd-player starting up, working, stopping, working again. At one point i skip through a track with winamp creating a choppy sound. When the cd player stops you can hear the base computer noise.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Moog grandmother, plucky sequence in am, 90bpm. You could make loops out of it, as the whole sequence was digitally clocked. Some interesting play with noise, filter, pulse width and the internal spring reverb of the synthesizer. Recorded through an ssl superanalogue preamplifier at line level, uad-2 apollo 8 adc. No eq, no compression. Mono file, 24 bit 48 khz.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Made using two synths. One is a noise generator that has been pitched down three octaves. It has a 12-hertz sine tremolo on either side, one of which is offset by half a wavelength. The other synth is a deep organ playing e3 and g3. I cut the sound in audacity, and the waves line up perfectly, so you don't need to worry about looping it badly.

This is a break i made to layer over my breaks at 102bpm. It was created in free tracker jeskola buzz using vst instrument, alchemy, multiloop2-move knob 1. This is not a looped sample from the instrument, i created it using the tracker, then applied an ohm boys delay effect. Sounds great over the breaks at 102. Enjoy :).

Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.

This sound would be suited for background atmosphere in a nightmare movie sequence, or to blast out of your windows to the neighborhood on halloween. It was created in audacity by using a piece the audio track from the end of the movie "my cousin vinny". It is the line marisa tomei says as she and vinny are driving back to n. Y. (oh my god, what a f'ing nightmare). It was then noise-reduced, pitch and tempo adjusted, reversed, and paulstretched.

A complete trip on métro (subway) line 9 of the paris subway system, from the alma-marceau station to the havre-caumartin station. Starts with descent into the métro station and ends climbing up the steps back out at the destination. One train is allowed to pass, at about the 1-minute mark, as we wait on the platform, and an announcement giving the times for the next trains can be heard. The ride on the following train begins at around the 2-minute mark. There are two loud sounds between about 9:10 and 9:20 and some loud low-frequency wind noise at around 10:40 (as we leave the métro station and return outside), so beware. Recording with zoom h4n, originally 96 khz/24 bits, uploaded as mp3 320 kbps because the wav was so big (almost 500 mb).

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Recorded on a ipad, which seems to pick up background noise from the subway system. Sorry about that. I am on the train, it stops, i get out and hear an announcement on the other side. This station has two tracks, one running in either direction. Generally, when you hear an announcement, you hear mandarin first (woman's voice), cantonese next (slightly different woman's voice), then english in a man's voice. This is line 1 in downtown shenzhen. Interestingly, the next train going in the same direction of the one i got off, arrives within the time of this recording, about 1. 5 minutes later.

Electro-magnetic interference from a desktop computer, and an at&t; cordless phone handset cl82301 when held near the internal ferrite antenna on the back right of a 13-year-old boombox listening to the am broadcast band. Recorded 2 years ago so i forget where i was listening. Recorded with goldwave from line-in. You hear emi from the computer at first, then i bring the phone on standby near the radio and you hear a series of nearly pure tones. The phone comes on and you hear a distorted dial tone. I move the phone away from the radio for a few seconds and you hear the computer again, then i bring the phone near and you hear a distorted busy signal. I disconnect and the phone continues sending to the base for a few seconds so you just hear a hum, then the idle tones are heard, then the computer noise as i remove the phone.

Ambient recording of the courtyard in my apartment complex. The are two story brick buildings, next to a main road, border-line highway. The traffic light means that the birds and neighbor's dog start predominant, then are taken over by the rush of traffic as the light changes to green. A sunny day, but clouds are in the distance, as an impending storm is about to roll in. The whining dog seems to share his sentiment about the dark clouds. Recorded with a zoom h6, stereo xy adapter set to 120 degree spread. Set up through a wide open window as to cut down on wind noise.

This brand new airport sound or airport noise, airport sound effects was recorded on the 25. 05. 2017 at terminal one in stuttgart germany with my zoom h6 and the ms microphone soundyou can occasionally hear people talking, laughing and having conversation while waiting in line. You can also listen to an announcement. The sound of this airport effects can be used for calm down your mind, concentrate, relax, fall asleep, focus better while you study or while you're working or you are just curious whats going on an on airport. For sound designer, videographer, filmmaker or people who needs the sound offline can easily follow the free download to.

Made some adjustements and a new recording. Terrible result but fun work/programming!. Algorithmic drone music program. The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem osc_1 - wave shaped sin oscillator (osc) - tuned to 130hz00 rem osc_2 - clean sin from oscillator - tuned to 130hz00 rem osc_3 - sqr from oscillator through filter - osc tuned to 130hz00 rem clk speed = 0. 5 hz00 rem line 01 each of the 3 vcas gets an unique cv value ([gate] -> [3 s/h] -> [3 vca])00 rem ---------------------------------------------------01 sample values for vca (cv in) x 3 (osc_1, osc_2, osc_3)02 sample frq for osc_103 sample frq for osc_204 sample new clk speed05 sample frq for vibrato in osc_106 sample frq for osc_307 env to all vca08 sample cv for (osc_3) filter10 goto 01. When i begin the recording the program has been running for a while.

Recording from inside a paper manufacturing facility. Caught a lot of various ambient production assembly line machine noises.

These are the noises that accompany waiting in line at sassyass coffee, a local coffee shop in downtown charleston. During the recording you can hear an enjoyable interaction with regular customers toward the end, and general espresso noises and small talk for the rest.

Recorded on my zoom h1n. There might be some rustle from my microphone and some noises from the people inside the subway. But overall, here's the sound at it's full glory. Oh yeah, it was recorded on november 20, 2021.

Recorded at the side of a lake on easter 2023. You can hear the wind rustling through the trees. Some background noises are audible, including passersby and what sounds like a camera shutter. Birds heard: blue jay, red-winged blackbird, song sparrow, northern flicker, red-bellied woodpecker, northern cardinal, american robin, blue-grey gnatcatcher. ----primo em172 mic capsules -> zoom xyh-5 x/y mic attachment line in -> zoom f1 audio recorder -> low-cut filter.

Recorded at the side of a lake on easter 2023. You can hear the wind rustling through the trees. Some background noises are audible, including passersby and what sounds like a camera shutter. Birds heard: blue jay, red-winged blackbird, song sparrow, northern flicker, red-bellied woodpecker, northern cardinal, american robin, blue-grey gnatcatcher. ----primo em172 mic capsules -> zoom xyh-5 x/y mic attachment line in -> zoom f1 audio recorder.

4ch surround recording of the intersection of the opernring and kärntener straße in vienna/austria. The recording was conducted close range at street level directly at the intersection by a tram line, the rear mics, featured in this file, are pointing onto the sidewalk, away from the street, at a right angle. The close range affords very detailed reproduction of vehicle and tire noises, as well as the tram driving by the mics at the end of the recording. Recording conducted with a zoom h2. These are the rear channels, mics set to 120° dispersion.